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May 2006 Edition

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Hold The Faith with
Warrior King

Article and Photographs by Diane “Livonn” Adam © 2006

Warrior King came into the light with his 2000 debut single release "Virtuous Woman". This song of the virtues and love for an upright woman was a refreshing departure from the more sexually explicit love songs about woman coming out of the dancehall at the time.  On first hearing this song, I was drawn to the melodious sing-jay style of this artist on other songs from his 2002 Virtuous Woman CD release on VP Records like “Power To Chant”, “Breath Of Fresh Air”, “Never Go Where Pagans Go” and “Rough Road”.  These songs all revealed Warrior King’s extraordinary ability to harness the spiritual message of Rastafari with a hardcore yard style that is gently mellowed by the radiant tenderness and soulful beauty of his voice. 

Born Mark Dyer in 1979 in Kingston, Jamaica, the young Rasta Warrior King settled with his family in Clarendon at the age of 11.  His mother, a devout Jehovah Witness exposed him to this religion that he followed until the age of 13-14 when he sighted the truth of Mother Africa, Ethiopia, Marcus Garvey, Malcolm X and Haile Selassie I.  Through exposure on the history of slavery and an appetite for reading and reasoning with brethren and sistren about Africa and Rastafari, Warrior King has found a way to use his gift of music to become a spiritual advocate and living champion of true Rastafari livity.  Most notably is the ‘Raspect’ and reverence Warrior King showers on the woman, many times singing of his love and desire to see woman live up to their royal standing as life givers.  During previous discussions I have witnessed with Warrior King, he always hails up his mother as one of the main reason that he upholds this desire to uplift the woman dem in his music and life.  His earlier songs like “Empress So Divine” and “Virtuous Woman” definitely shows this artist determination to promote love and Raspect for woman.

During his early exposure to Reggae music Warrior King became a kind of protégé to  Bounty Killer who he fashioned his early style before developing his own unique technique by performing at school concerts and talent shows like Tastee’s where many well-know Jamaican artist first cut their Reggae musical teeth.  Dancehall music now moves into another phase with new comers like I Wayne who have a similar desire to mold their musical sensibilities to a more Roots and Culture approach that bring to light current human crisis that plague the people of Jamaica like oppressive poverty, disease, lack of education (as Warrior King sings, “education is the key”) and the disintegrations of moral character these conditions bring forth.  With words of encouragement and faith in the Almighty Father, Warrior King is a beacon of hope and change through music in the new millennium.

Warrior King’s new CD release Hold The Faith released by VP Records (2005) is an outstanding addition to any Reggae music collection and a joy to listen.  Warrior King’s message of reverence to the Most High is clearly revealed on the opening track “Reverence” where Warrior King candidly chants out his faith based motivation.  Then the song “Hold The Faith” immediately grabs your attention as the sing-jay vocals of Warrior King chants out “Got to Hold The Faith” as he sings,

“Although times hard and things seem rough, hold the faith because Jah is great.  My people in Jamaica suffering day by day dem can’t get no work that’s why the youth dem a stray.  Everyday work ‘cause a strife because dem want a better pay.  Situation in my country is just one big rainy day.  No plans or policy these all gone away. There’s a love for poor people how we bank account stay.  The leaders corrupt the nations wonder what dey gonna say.   But the Rastaman burn dem everyday”

The sufferation of the people of Jamaica remains a constant chorus of Warrior King who remains focused on revealing the appalling conditions felt by the poorest in Jamaica and the need to not only “Hold The Faith” but find solutions to political corruption that will bring hope of a better life for the people of his country.

The success of Hold The Faith can also be attributed to some outstanding writing by Warrior King and collaboration with well known producers Bobby Dixon for Digital B Productions and Sheldon “Calibud” Stewart for Calibud Productions (who produced Sizzla Kalonji’s Black Woman and Child, VP Records 2002).  An illustrious cast of players of instruments add an additional element of class to the album.  Dean Fraser plays horns on the tracks “Judgment Day”, “My Life”, “They Don’t Know” and on the track “Meditation” which also includes Squidley Cole on percussions.  While Benji Myaz licks the bass on the tracks “Hold The Faith”, “Freedom” and “Motherland Awaits”.

Hold The Faith is replete with songs of faith, meditation, cries for freedom and love songs evident not only on the title track but also on other songs including “Meditation:, “Freedom”, “Another Love Song” and “Baby Girl”.   The youthful voices of children decorate the beginning of Warrior King’s song “Education” where he sings directly to the youth instructing them on the importance of learning and getting a good education.  African tribal sounds and drums adorn the beautiful “Motherland Awaits” and usher the soul to fly to our spiritual home for healing and spiritual rejuvenation and lends a fiery potency to the album’s final track.  

To the delight of the family of Bay Area Reggae music lovers, Warrior King will be performing on May 10, 2006 at Slim's at 333 11th Street, San Francisco and on May 11 at Santa Cruz Veterans Hall at 846 Front Street, Santa Cruz.  Warrior King is also scheduled to perform at the 23rd Annual Reggae On The River to be held this year at the new Dimmick Ranch site on August 4, 5 & 6, 2006.

 

Blessed Love

http://www.reggaeambassadors.org/
R.A.W. #985

 

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